Research studies

Basilicas and Cathedrals | Churches | Synagogue

Basilicas and Cathedrals

The Basilica of Notre-Dame de Montréal. The glory of the Sulpicians, owners of l'île de Montréal. (Denyse Légaré)
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The Basilica of St. Patrick of Montréal. The desire to equal the great works of the neo-gothic movement. (Charles Bourget)
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The Basilica-Cathedral of Marie-Reine-du-Monde de Montréal. The vision of an ambitious man. (Denyse Légaré)
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The Basilica-Cathedral of Notre-Dame de Québec. The first cathedral and first basilica in North America. (Katia Tremblay)
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The Anglican Cathedral in Québec. The structural and stylistic adaptation of English architectural customs in the environment of Québec. (Charles Bourget)
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The Co-Cathedral of Saint-Antoine-de-Padoue de Longueuil. The search for an expressive solidness. (Denyse Légaré)
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The Cathedral Sainte-Thérèse d'Avila of Amos. And the use of reinforced concrete - sign of the coming of modernity (Katia Tremblay)
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Churches

The Church of Le Gesù de Montréal. A new use for the grey stone of Montréal. (Denyse Légaré)
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The Church of Notre-Dame-de-Bonsecours de L'Islet-sur-Mer. The architectural development between the end of the 18th and end of the 19th centuries. (Denyse Légaré)
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The Church of Notre-Dame-de-Fatima of Jonquière. A modern style inspired by Amerindian tradition. (Katia Tremblay)
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The Church of Notre-Dame de Laterrière. And the role of bishops in the construction of parish buildings. (Charles Bourget)
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The Church of Notre-Dame-des-Victoires in Québec. Opposite the bust of Louis XIV on the Place Royale. (Denyse Légaré)
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The Methodist church and 19th century stables at Odelltown. (Charles Bourget)
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The Church of Mont-Saint-Hilaire. A mock façade concealing a magnificent interior. (Charles Bourget)
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Plymouth-Trinity United Church of Sherbrooke. And the influence of the federal style imported from New England.  (Charles Bourget)
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The Church of la Présentation and its magnificent Ionic portal. (Charles Bourget)
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The Church of La Purification-de-la-Bienheureuse-Vierge-Marie de Repentigny. A rescue in extremis. (Charles Bourget)
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The Church of Rapide-Danseur and colonial churches. (Katia Tremblay)
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The Church of Sainte-Agnès. The only wooden church by Thomas Baillargé still in existence. (Katia Tremblay)
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Christ-Church of Saint-André-Est. A close relative of the churches of New England.  (Charles Bourget)
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The Church of Saint-Antoine-de-Tilly. The Jesuit plan. (Katia Tremblay)
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The Church of Saint-Bernard de Dorchester. The importance of Québec parish buildings. (Denyse Légaré)
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The Church of Saint-Charles-Borromée de Charlesbourg. The integration of parcellated land unique in North America. (Katia Tremblay)
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The Church of Saint-Denis-sur-Richelieu. The importance of side galleries in Québec's larger churches. (Charles Bourget)
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The Church of Saint-Édouard de Bécancour. A church built by local tradesmen, artists and architects. (Denyse Légaré)
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The Church of Saint-Elzéar de Beauce. A beautiful ceiling by Thomas Baillairgé. (Denyse Légaré)
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The Church of Saint-Eustache. Symbol of a growing nationalism. (Denyse Légaré)
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The Church of Sainte-Famille de Boucherville. The exceptional presence of a baptistery in Québecois religious architecture. (Charles Bourget)
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The Church of Sainte-Famille de Cap-Santé. The symmetrical two-tower façade of the 18th century in Québec. (Charles Bourget)
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The Church of Saint-François-de-Sales de Neuville. The choir and its baroque-style baldachin. (Katia Tremblay)
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The Church of Saint-François-Xavier de Saint-François-du-Lac. The Recollect plan. (Charles Bourget)
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The Church of Saint-Georges de Cacouna. The beauty of double balconies at the back of the church. (Charles Bourget)
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The Anglican church of St. George of Clarenceville. A bell-tower like wooden lace. (Charles Bourget)
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The Church of Saint-Grégoire de Bécancour. And the dissemination of the art of the school of Quévillon. (Katia Tremblay)
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The Church of Saint-Isidore de Beauce. Two types of "formal borrowing". (Charles Bourget)
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The Church of St. James de Hatley. A witness to the development of the Anglican Mission in the 19th century. (Denyse Légaré)
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The United Church of St. James in Montréal. An amphitheatre style church. (Denyse Légaré)
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The Church of Saint-Jean-Baptiste of Quebec city. A jewel of Second Empire eclecticism. (Denyse Légaré)
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The Church of Saint-Jean-Baptiste de Rouville. The art of trompe-l'œil. (Katia Tremblay)
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The Church of Saint-Jean-Baptiste de Saint-Jean-Port-Joli. And pseudo side aisles in Québec. (Katia Tremblay)
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The Church of Sainte-Jeanne-de-Chantale de l'Île-Perrot. Small transepts in Québec. (Charles Bourget)
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The Church of Saint-Joachim. The turning point in church interiors at the turn of the 19th century. (Katia Tremblay)
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The Church of Saint-Joachim in Châteauguay. The vernacular adaptation of classical forms. (Charles Bourget)
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The Church of Saint-Joseph-de-Beauce. A good example of coffered vaulting. (Denyse Légaré)
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The church of Saint-Joseph de Deschambault. A church of unusually grand proportions. (Katia Tremblay)
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The Church of Saint-Léon-le-Grand de Maskinongé. The end of architectural eclecticism.(Denyse Légaré)
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The Church of Saint-Louis de Lotbinière. Flat chevet and aligned sacristy. (Charles Bourget)
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The Church of Sainte-Luce. A Thomas Baillairgé interior adapted to regional tastes. (Denyse Légaré)
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The Anglican Church of St. Luke of Waterloo. A neo-gothic, brick building which was a precursor of modern architectural styles. (Charles Bourget)
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The Church of Sainte-Marguerite-de-Blairfindie de L'Acadie. The tradition of covered passageways. (Charles Bourget)
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The Church of Sainte-Marguerite-Marie of Magog. A building half-way between tradition and modernism. (Katia Tremblay)
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The Church of St. Mathias-sur-Richelieu. (Denyse Légaré)
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St. Matthew's Church, Québec. A distinctly British Neo-gothic style. (Charles Bourget)
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The Church of Saint-Michel de Vaudreuil. An interior to fit the polygonal structure of the chevet. (Charles Bourget)
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The Church of Saint-Paul de Joliette. Traditional Québecois styles continuing into the 19th century. (Charles Bourget)
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The Church of Saint-Pierre-Apôtre de Montréal. A French or English Neo-gothic? (Charles Bourget)
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The Church of Saint-Pierre de Sorel. Like a jewel in its setting. (Denyse Légaré)
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The Church of Sainte-Rose-de-Lima de Laval. Bell-towers, religious symbols.(Denyse Légaré)
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The Church of St. Stephen de Chambly. The influence of Québecois traditional styles on architecture of other religious traditions at the beginning of the 19th century. (Charles Bourget)
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The Church of Saint-Sulpice. The incongruity of neo-gothic restorations to a traditional classical building. (Charles Bourget)
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The Anglican church of Sorel. A pioneer in neo-gothic architecture in rural Québec. (Charles Bourget)
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The Church of La Visitation-de-la-Bienheureuse-Vierge-Marie of Sault-au-Récollet in Montréal. Refinements in detail. (Charles Bourget)
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Synagogue

The synagogue Beth Schloïme of Montréal. And the Jewish presence in Québec. (Katia Tremblay)
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